On Thursday, February 11, from 5:30 to 7:30 pm, Stremmel Gallery will host an opening reception for the quilts of Gee’s Bend and artist John Randall Nelson, American Curios.
Praised by the New York Times as “some of the most miraculous works of modern art America has produced,” the abstract quilts from the tiny, isolated African-American community of Gee’s Bend, Alabama, prompted a rethinking of commonly accepted artistic categories. Throughout much of the twentieth century, making quilts was considered a domestic responsibility for the African-American women in Gee’s Bend, an area of Rehoboth and Boykin, Alabama. As young girls, many of the women trained or apprenticed in their craft with their mothers, female relatives, or friends. The town’s women developed a distinctive, bold, and sophisticated quilting style based on traditional American (and African American) quilts, but with a geometric simplicity reminiscent of Amish quilts and modern art. In 1937 and ’38, the federal government commissioned two series of photographs of Gee’s Bend. The images have since become some of the most famous images of Depression-era American life. This exhibition of the Gee’s Bend quilts is in correlation with the exhibition at the Nevada Museum of Art, which will be on display February 6- April 11, 2010. Read More
The work of abstract painter John Belingheri recently appeared in a Merrill Lynch advertisement for the Wall Street Journal’s Weekend Investor, Saturday/Sunday, March 6-7, 2010. (See ‘The New Basics and Wealth Manager’ B8-9)
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